The harsh, noir-esque lighting and shadows contrasts with the colorful array of stacked objects. The rounded edges and the chaos of the staggering number of products pushes the limits of film noir, known for minimalist settings and a strict color pallet. The swinging light itself offers an entrancing rhythm, drawing one’s eye to the source of the lighting as much as its dynamic effects.
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Thomas Seher is a composer and musician for film and theater. A few years ago he discovered the art of cinemagraphs and since then has been exploring the boundary between photography and film. His works decelerated movements open up a new perspective and invite observing changes. The motives are scenes, either real or staged, which gain a special artistic moment through they way the images are digitally processed. The continuous playback on the digital canvas provokes the impression of a smooth, ongoing movement. There is no cut, no change of perspective or camera panning - this is what makes it so captivating.